Let's Meet Author Maria Novajosky
Let's welcome
Maria Novajosky to mi.o! She is
a relatively new member to our community, but has been blogging a very long
time! Maria tells us her story on exploring her Italian-American heritage and
how her Nonna made a HUGE impact on her life. I can certainly relate, and I'm
sure many of you can, too. Regardless of your own heritage or where you live,
Maria reminds us how written words on a piece can help us stay connected with
our roots!
Q: When did you first create your blog and what was the
inspiration behind it?
I started my blog,
La Dolce Vita: The Sweet Life with Three Sons,
twelve years ago. I was working as a contract writer for a Catholic
company (conducting interviews and writing articles), but I was looking for
ways to write on what I was most passionate about—family, food, faith, and my
Italian heritage. Blogging was a good fit for me. In my very second post (
My
Nonna and Michelangelo) I described how Nonna became emotional as she gazed
up at the majestic ceiling of the Sistine Chapel. That was the beginning of
what I call my
Nonna stories where I write about my Nonna and
what she taught me through the years. And while I also write about the
perfectly ordinary day-to-day life (with a husband and three sons there is
ALWAYS something to write about), my Italian heritage is the foundation for
everything I write.
Q: Which topics really resonate with your readers and
why?
My readers especially enjoy when I share our Italian
traditions—such as making homemade tortellini, celebrating the Feast Day of St.
Joseph, or choosing Italian bomboniere for our son’s First
Communion. Also popular are the posts about our travels to Italy—the trip with
my entire family when we rented a farmhouse in Tuscany, the time we traveled
with the Nonni to Rome and the Amalfi Coast, and the two Girls’ Trips that my sister
and I organized (22 women accompanied us on the first trip, 31 on the second).
I also write on Italian culture and art, and have a Fun Facts series in which I
list the highlights of a specific city or region.
Q: What is the Italian-American culture like in the Deep
South? Could you recommend authentic Italian eateries or cultural events?
Prior to moving to the United States, we had been living
in Vicenza, Italy—just 30 minutes from my mother’s hometown of Verona.
When my father retired from the military and we moved here to Augusta, Georgia,
my life turned upside down. The world was much bigger then—there was no
internet, instant messaging, or skype to make it smaller—so it seemed as if I
was cut off from everything I had known and loved. I truly felt I would lose a
part of myself and that the South would swallow me whole. But through Nonna’s
letters (she wrote to us weekly for almost 50 years), and the visits we made to
Italy or that our relatives made to us, I held on to my Italian heritage.
Eventually our family met a group of Italian-Americans who, like us, had
retired from the military, and when we gathered there was a fun mixture of
Italian and English, heaping plates of food, backyard bocce, and plenty of
espresso, homemade limoncello, and red wine.
Today, it is much different. There is so much about
Italy—the food, culture, history, art—that appeals to people all over the
world, and it is no different here in Augusta, Georgia. There may not be a
large Italian-American population such as you would find in New York or
Chicago, but we are just as passionate about our heritage. For example, our
local Italian-American Club hosts an annual Pasta Festival, several members of
the club have taught Italian at our local college, my mother worked as a
translator for the Italian athletes during the 1996 Atlanta Olympics and for
the Italian President of the National Barrel Horse Association (NBHA) who was
competing here in Augusta, and a few years ago I was invited to give a
presentation on la cucina povera at The Sacred Heart Garden
Festival, one of the premier gardening events in the southeast.
Q: You wrote your first book An Ocean, an
Airplane, and Two Countries Full of Kisses. What was the most
challenging part of writing it?
Two years ago, I was at my mother’s house looking at a box
of old photos from Italy, when I noticed that many photos were taken in
downtown Verona in front of a fountain in Piazza Bra; in fact, there were
so many photos of this fountain that I took them all out and placed them in a
line. Some photos were black and white, while others were in color; some
featured my Nonna or my mother and her sisters standing in front of the
fountain, while in later photos my sons were throwing coins into that very same
fountain. As I looked at all those photos, I was struck how each one was
different, and yet the fountain was the anchor that tied the photos together.
And I saw a parallel between that fountain and my Italian
heritage. My circumstances may be constantly evolving—where I live or what
season of life I am in—but the essence of who I am as an Italian-American is,
like that fountain, the constant in my life.
A few days later, my mother showed me all the letters Nonna
had written us through the years—weekly letters that began in 1966. As I read
each letter, I realized how much Nonna’s love had influenced my life,
especially after we moved to Georgia when I had to learn to find happiness on
this side of the Atlantic. So much of who I am today as a wife and mother, or
how I entertain, worship and raise my sons, can be traced back to her. It was
then I decided to write
An Ocean, an Airplane, and Two Countries Full of Kisses.
Writing the book was definitely an emotional journey. Just
touching the thin pages of the letters and running my fingers over Nonna’s
handwriting brought forth the sound of her voice and the joy of her laughter.
It’s a wonderful thing to travel back through memories, but it’s also
bittersweet.
Q: What’s been your most important skill you've developed
as a writer?
Patience. Nothing about writing a book—from the manuscript,
to the editing process, to the cover design—is done quickly.
Q: Which kinds of tours to Italy do you put together?
Could you offer a travel itinerary that is a little out of the ordinary?
(Something for more experienced travelers to Italy)
In 2014 I came across a Caravaggio painting where I was not
expecting a Caravaggio painting to be—in Kansas City, Missouri. Hanging in the
European art wing of the Nelson-Atkins Museum of art, St John in the
Wilderness is one of the few Caravaggio paintings in the United
States. As I stood in front of that unexpected discovery, exploring the
feelings evoked when art, history, culture and travel collide, I decided then and
there that within a year I would organize a trip to Italy.
Exactly one year later I was standing in St. Peter’s Square
waiting for Papa Francesco to give his Angelus blessing. With me were 23 women
from Georgia, South Carolina, Maryland, Illinois, and Washington State who had
signed up to travel with my sister and me for 9-day adventure to Rome and the
Amalfi coast.
The trip was such a success that we organized another one
this past September—a customized 12-day tour to Tuscany (Siena, San Gimignano,
Firenze), Santa Margherita Ligure, Portovenere, Stresa (Lago Maggiore, Isola
Bella, Isola dei Pescatori), Isola San Giulio, Bolzano (Otzi the Ice Man),
Verona, and Venezia.
Our last few days were in Venezia, which was the perfect way
to end our trip. But as much as we loved la serenissima, everyone
on the trip also loved the Northern lakes region of Italy—especially Santa
Margherita and Stresa. (It’s a little of the beaten path, but I highly
recommend visiting Isola San Giulio with its peace and serenity.) Finally, and
this may sound odd, but we all enjoyed our visit to Bolzano to see Otzi, the
5,300 year old glacial mummy discovered by hikers in 1991. It was fascinating.